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College
of Liberal Arts and Sciences History 342: The American West 3 Units, Fall 2007
University COURSE DESCRIPTION This course offers coverage of the exploration and
development of the West, mining and stock-raising frontiers, railroads and
agriculture; and the effects of the frontier on American institutions. (university
catalog) Prerequisites:
none Fulfills
elective requirement for the following majors: History, Social Science Howdy
partners! Welcome to the history of
the American West. Over the next
fifteen weeks we will explore “what” the American West was and is—a debate
that continues to engage historians and the public.
Some contend that the West was/is a process: that the sparsely populated
frontier had been the element that defined American life.
As Americans moved westward they continued to experiment with, refine,
and advance American democracy and civilization, and to exemplify ideals like
rugged individualism and nationalism. Others
have argued the West is a unique place, distinctive from others like So,
by the end of the semester, we will examine the social, cultural, political, and
economic development of the American West, as well as the myths of the West that
have influenced literature, film, and other aspects of popular culture. STUDENT
LEARNING OUTCOMES An ongoing, overall goal for my courses
is to develop our critical thinking abilities. Now, more than ever, we need
Christ-centered men and women who can respond to the challenges and complexities
of the world in which we live with insight and hope. More specifically, by the end of
the semester each student will be able to:
·
Major interpretations of the significance of the West in ·
How Indian culture was impacted by westward expansion ·
The role of women, ethnic, and racial groups in shaping the West ·
The ideal of Manifest Destiny and its impact ·
Economic development and occupational realities in the West,
including railroads, mining, farming, and ranching ·
Twentieth-century developments in the American West ·
Myths and realities of the West that have influenced literature,
film, and other aspects of popular culture
COURSE FORMAT Participation This course is extremely dependent
upon you, as a student, for its success. I
expect a great deal of participation from each of you and very little passive
“soaking”. Though I will present
contextual mini-lectures on many days, the goal is to involve ourselves in the
subjects at hand as much as possible, and to keep me from talking, as much as
possible (Do I hear an amen?!). Other
approaches in the course might include small group work, debates, and
interactions with media clips. Thus,
attendance and advance reading is crucial for your success in the course.
I expect each of you to be well prepared and to participate, but you will
not be ridiculed or made to appear foolish because of your contributions (or
lack of). Book
Discussion Days Two days are set apart for formal book
discussions, listed below in the Semester Schedule, and you will be partially
responsible to lead the discussion. You
will need to have several inquiry-points ready to present to the class—things
about the book that struck you, challenged you, angered you, etc.
I expect thoughtful reading of the texts that will produce a thoughtful
discussion, rather than “I really liked this book,” or “this book stinks.”
I consider the participation on book discussion days strongly when
formulating the attendance/participation portion of your course grade.
Please note—if you are absent on a formal discussion day,
you must arrange a separate, individual meeting time with me to discuss the book. Class Etiquette Please arrive on time
and do not leave before the end of class unless you inform me prior to class.
Please turn cell phones to off or silent mode (not vibrate!); if your cell phone
interrupts the class, you may be asked to leave for the day, and will receive an
unexcused absence. Attendance The university
catalogue states, “Class attendance is of paramount importance, and excessive
absences will affect the final grade.” Students
are expected to participate actively in class and small group activities,
therefore behaviors such as sleeping, talking, reading unrelated materials, and
studying for other classes are not acceptable.
Students who are not actively involved in class (e.g. who are sleeping)
will be asked to leave class, counted absent, and will not be allowed to make-up
work missed during that class. You are allowed 2 unexcused absences in the semester. If you miss 4 consecutive classes without notifying me, you will be dropped from the course. Attendance is determined by a roll sheet passed around at the beginning of each class. Be on time—if you are late to class you will not be able to sign the roll sheet and you will be considered absent for the day. The following
constitute excused absences: (1) illness (2) death in the immediate family (3)
required appearance in a court of law (4) representing the university in an
extracurricular activity. Please
note that some university extracurricular activities do not justify an excused
absence, so prior approval of the absence by the professor is required.
Unexcused absences include work, job interviews, job fairs, weddings, vacations,
and completing work for other courses. It is the student’s
responsibility to make the instructor aware of the situation prior to the
absence and to provide appropriate written documentation.
If absent, contact a classmate who can fill you in on what you missed,
since you will be responsible for all
material covered during class. The following guidelines will be used in determining your
attendance/participation grade (three or less unexcused absences is “regular
attendance”):
Academic Integrity and Dishonesty The mission of Expectations
for this course regarding academic integrity in this class
Academic dishonesty
is a serious offense which diminishes the quality of scholarship and defrauds
those who depend on the integrity of the educational system. Academic dishonesty
includes: Cheating:
Intentionally using or attempting to use unauthorized materials, information, or
study aids in any academic exercise. ·
Students completing any
examination should assume that external assistance (e.g., books, notes,
calculators, and conversations with others) is prohibited unless specifically
authorized by the instructor. ·
Students may not allow
others to conduct research or prepare work for them without advance
authorization from the instructor. · Substantial portions of the same academic work may not be submitted for credit in more than one course without authorization. Fabrication:
Intentional falsification or invention of any information or citation in an
academic exercise. Facilitating
academic dishonesty:
Intentionally or knowingly helping or attempting to help another commit an act
of academic dishonesty. Plagiarism:
Intentionally or knowingly representing the words, ideas, or work of another as
one’s own in any academic exercise. (from university catalog) Students
often misuse their sources unintentionally.
Others do so intentionally. Both
are unacceptable. Fundamentally,
plagiarism is when you offer the words and ideas of another author as your own.
The work of another person, their ideas, interpretations, distinctive
phrasing, and exact words, constitute that author’s intellectual property.
Use of that property without proper citation is, simply, theft.
If you have any questions about plagiarism, please ask me to clarify.
Plagiarism is a serious matter; as a Christian community we need to hold
ourselves accountable to the highest standards–to do only those things that
please our Lord and Savior. Consequences
for violations of academic integrity in this class
Academic
dishonesty, including intentional plagiarism, will result in a failing grade for
this course. Available Support Services ·
Students in this course
who have a disability that might prevent them from fully demonstrating their
abilities should meet with an advisor in the ·
A variety of support
services are available in the · Students needing help with writing skills should contact The Writing Center REQUIRED
Hine, Robert V., and John
Mack Faragher. The American West: A New Interpretive History. Peavy, Linda, and Ursula
Smith. Pioneer Women: The
Lives of Women on the Frontier. Utley,
Robert M. High Noon in Supplemental
I will frequently provide you with or
indicate where to locate supplemental primary sources for critical evaluation. Please have the assigned readings
completed by their corresponding lecture dates. Doing so will enable you
to understand the lectures more fully, provide you the chance to ask more
informed questions, and allow you to participate in any relevant discussions. Reading
Reactions As an added incentive to increase the level of critical inquiry in this course, for each class for which there is assigned reading each of you must hand to me at the beginning of class a written question, problem, observation, or assertion arising from that class’ assigned reading that is significant enough for substantive discussion by the class as a whole. Points will be subtracted for a weak written item (badly conceived, confusing, or trivial), or evidence that little to none of the reading assigned and under discussion has been read. No reactions are due on the days when one of your major essays is due or when doing your own lesson plan. No late reading reactions will be accepted. If completed satisfactorily, the grade for the reading reactions is as follows: *Missing
0-2 reactions: A *Missing 3-4 reactions: B *Missing
5-6 reactions: C *Missing 7-8 reactions: D Examinations There will be a mid-term and a final
examination. Both will be take-home
exams composed of major essays on central course themes.
I will give you the mid-term and final exam questions approximately two
weeks before their respective due dates. You are expected to interact with the sources provided in the course in
responding to the examination questions and I want to see at least informal
citations to those sources.
See the “Semester Schedule” for the due dates. The Lesson
Plan Each
of you will be responsible for team teaching a particular topic at some point
during the semester. The
responsibilities include leading the discussion on the readings for the day and
guiding us through what you believe are important elements that need to be
covered for that topic. Innovation
is good as long as it helps us to think critically about your topic.
I would encourage you to avoid too much “lecturing” and I would also
encourage you to include a film clip or clips that illustrate particular themes
in your topic area. Though you can
use the course readings as a guideline, you may also adapt the lesson to your
preferences. The duration of your
lesson should be about 45 minutes, and the acceptable time range is 35-50
minutes. Your grade will be based on
six elements: 1) A written lesson plan draft, due two weeks before your lesson [5%] The lesson plan must include the following elements: · Student Learning Outcomes: state clear student outcomes in terms that are specific, observable, and measurable (e.g., students will be able to synthesize, interpret, identify, demonstrate, write, etc.); avoid outcomes that utilize passive verbs (e.g., students will understand or students will know) · Materials required: be as specific as possible · The actual teaching methods to be used: step-by-step instructions for the various activities · Criteria for learning assessment: even if this does not include a grading rubric, you must be able to identify the degree to which the learning outcomes have been met *Note: a good self-evaluation for a written lesson plan is asking yourself the question, would a substitute teacher be able to read my instructions and know exactly what to do? 2) A final written lesson plan, due the day of your lesson [25%] · I expect significant revisions based on the written feedback given to your draft 3)
A self-evaluation of the lesson taught [5%] 4)
A class evaluation of the lesson taught [15%] 5)
My evaluation of the lesson taught [50%] 6)
Five appropriate and thoughtful quiz questions on your lesson (short answer,
multiple guess, true/false) [5%] I
will have sample lesson plans available and will pass around a sign-up sheet for
topics within the next week. The
order of choosing topics will be based on random selection. I
will give several quizzes during the semester based on the questions submitted
in 6), above. Primary Source
Paper You will access
source material at the Library of Congress web site entitled “California
As I Saw It”: First-Person Narratives of California’s Early Years, 1849-1900
(http://memory.loc.gov/ammem/cbhtml/cbhome.html), or Prairie
Settlement: Nebraska Photographs and Family Letters, 1862-1912 (http://memory.loc.gov/ammem/award98/nbhihtml/pshome.html).
I would like you to choose accounts (diaries, letters, travelogues) from
two different individuals who were living in the American West before 1890.
You should draw upon at least
three to four entries from each individual.
Your task is three-fold: 1.
Give the historical context of their lives in the West.
You might consider questions such as: ·
Where were they living and how did that geographic location affect
their situation? ·
What were the socio-economic and political realities of their
region at the time? ·
What kind of occupational/professional/personal backgrounds did
they have that might have affected their lives in the West? 2.
What were their everyday lives like and how they were similar and
different from our own? 3.
In a shorter section, perhaps a paragraph or two, address the
basic problems in usin The requirements for this paper
include: ¨ 4-5 pages in length, typed and double-spaced, with one-inch margins on all sides. Use conventional, 11-13 point fonts. This
paper does not require end- or footnotes, but you
must include informal citations.
When you cite from texts, give the author and page number in parentheses
immediately after the citation. Example: "See Spot run" (Hawthorne, p.
103). ¨
Good grammar, spelling, and punctuation are a must—errors will
weaken your overall presentation. In
addition, these essays should follow traditional patterns: an introduction that
presents your main argument or question, a body of the paper where you present
logically the evidence to support your position, and a conclusion that
summarizes your findings and your critical analysis of those findings. ¨ Due Tuesday, December 4.
Film Reviews Because a major theme
of the course is the role of the West in American popular culture, students are
required to view five of the following films during the semester, at least two
from each of the categories—”classic” and “modern”.
We will watch some of these in class and those are listed in the Semester
Schedule. The films are listed in chronological order to allow us to trace the
development of the genre of western film. You are required to write a two-page critical response paper
on two of the films, one from each category; your first review must be on one of
the “classic” westerns. In these reviews you must interact with at least two
scholarly sources—sources written
for a learned audience rather than a popular audience.
Avoid works like American Heritage, Time
Magazine, and Encyclopedia Britannica.
Though often interesting, such sources do not merit great respect in
historical circles. Journals like The
Pacific Historical Review, The Western
Historical Quarterly, and The Journal of American History, are often good
startin Films:
Please note: those
films with an asterisk (*) are rated R and may contain offensive content.
Bracketed numbers are the Marshburn Library call numbers; in DVD format
unless otherwise indicated.
Improvement
is a crucial part of this course. If
there is significant improvement in quality of work over the course of the
semester, emphasis will be given to the higher grade rather than maintaining the
strict mathematical averages listed above. Late Policy: Late papers will be penalized with
a one-third grade-deduction per class session, to a maximum of 2 full letter
grades.
For example, a B paper would become a B- if one session late, a C+ if two
sessions, and so forth. Extra‑credit work will not be accepted for this course. I will use the
following abbreviations in grading your written work:
Please note: I follow the 24-hour rule when handing back any graded assignments—you must wait 24 hours before discussing with me your grade on an exam or essay. However, please don’t wait until the end of the semester to talk with me about specific issues related to your grade. The earlier you make an appointment with me, the better your chances for improvement and success.
I use the following guidelines to grade your written assignments:
SEMESTER
SCHEDULE & READING ASSIGNMENTS Week One Thursday, September 6: Introduction to the Course Week Two Tuesday, September 11: Where/What is the West? * Thursday, September 13: The Pre-contact Native American West * Week Three Tuesday, September 18: Early Western Explorations &
Settlement * Thursday, September 20: Manifest Destiny & Its
Implications * Week Four Tuesday, September 25:
Manifest Destiny & Its Implications * Thursday, September 27: Getting to the West— * Week Five Tuesday, October 2: Movie—“Stagecoach” Thursday, October 4: Getting to the West—The Railroads * *First Film
Review Due Week Six Tuesday, October 9: Farming in the West * Thursday, October 11: Mining in the West * Week Seven Tuesday, October 16: Ethnicity and Race in the West *Reading:
Hine & Faragher, 245-47, 286-87, 358-61, 370-73, 383-87, 390-400, 422-24
(**no reading reaction due) *Mid-term Due Thursday, October 18: Religion in the West * Week Eight Tuesday, October 23: Women in the West * Thursday, October 25: Discussion *Reading: Peavy
and Smith, Pioneer
Women (**no reading reaction due) Week Nine Tuesday, October 30: The Western Ranchers * Thursday, November 1: Cowboys and Cattle Drives * Week Ten Tuesday, November 6: Movie—“The
Searchers” *2nd
Film Review Due Thursday, November 8: Discussion Week Eleven Tuesday, November 13: The Encounter with Native Americans
(pre-1860) * Thursday, November 15: The Encounter with Native Americans
(post-1860) * Week Twelve Tuesday, November 20: Media and the Mythic West * Thursday, November 22: Thanksgiving Holiday—No Class (Happy Week Thirteen Tuesday, November 27: Media and the Mythic West * Thursday, November 29: Discussion *Reading: Utley, High
Noon in Lincoln (**no reading reaction due) Week Fourteen Tuesday, December 4: The American West and the Great
Depression *Reading: Hine
& Faragher, 457-71 (**no reading reaction due) *Primary Source
Papers Due Thursday, December 6: The Post-War American West * Week Fifteen Thursday, December 13: Final Examination Due, 2:00 p.m. The following
instructors’ syllabi were consulted and used in designing this course.
In some cases the language from their syllabi was incorporated into this
one. Kevin J. Fernlund. Douglas Firth Maria E. Montoya, History 373, Kathryn
Morse, HI 374, John Putman, History
445, Ralph Wilmoth, Harold
D. Tallant, History 470, Jo Miller, History 100, Carol
Ann Tomlinson, http://principalsoffice.osu.edu/grants6.php
(lesson plan checklist) Dorit Sasson, Upper http://lesson-plan-help.suite101.com/article.cfm/checklist_for_a_lesson_plan (lesson plan checklist) http://honolulu.hawaii.edu/intranet/committees/FacDevCom/guidebk/teachtip/lesspln3.htm
(lesson plan checklist) SUPPLEMENTAL BIBLIOGRAPHY General Etulain, Richard W., ed. Does the Frontier Experience
Make Lamar, Howard R., ed. The New Encyclopedia of the
American West. Milner,
Milner,
Phillips, Charles, and Alan Axelrod, eds. Encyclopedia
of the American West. 4 vols. White, Richard. “It’s Your Misfortune and None of My
Own”: A History of the American West. Worster, Donald.
“New West, True West: Interpreting the Region’s History.” Western
Historical Quarterly 18 (1987): 140-58. Race/Gender/Ethnicity Armitage,
Susan. “Women and Men in Western History: A Stereoptical Vision.” Western
Historical Quarterly 16 (1985): 380-395. Calloway, Colin, ed. Our Hearts Fell to the Ground:
Plains Indian Views of How the West Was Lost. Crow Dog, Mary, and
Richard Erdoes. Lakota Woman. |